R E C E N T    P U B L I C A T I O N S

Wild Humours versus Graphic Inventions: The drawings of Romney & Gainsborough
in 'Transactions of the Romney Society', Volume 19, 2014 (2015)

Graphic Intersections: Erga, Parerga and Pro-Erga
- 0085 in special issue 'When Art History Meets Design History', edited by Anne Puetz & Glenn Adamson, RIHA (International Association of Research Institutes in the History of Art) Journal, March

Essay in Madge Gill: Medium & Visionary, catalogue to accompany the exhibition, Orleans House Gallery, Riverside, Twickenham, October 2013 – January 2014

Witches & Wicked Bodies
, catalogue to accompany the exhibition, Scottish National Gallery of Modern Art, Edinburgh from July - November in association with the British Museum, National Galleries Scotland, 2013    ISBN 978 1 906270 55 1

The Impossibility of Landscape, FUKT Magazine for Contemporary Drawing
Issue No. 11, August 2012, pp.75-79

On Drawing: A Transatlantic Conversation
, between Alyssa E. Fanning & Deanna Petherbridge

Surface/Infinity: Vija Celmins, Brice Marden, Agnes Martin, Exhibition catalogue, Craig F. Starr Gallery, New York, USA

2010 - 2011
The Primacy of Drawing: Histories & Theories of Practice, Yale University Press, London & New Haven  ISBN 978-0-300-12646-4

Burlington Magazine, No. 1296, Vol. 152, March 2011

John McDonald, Sydney Morning Herald, March, 2011

(AUDIO) ABC Radio National, Sunday 27th February 2011 (24 mins)

London Evening Standard, end of year book review by Brian Sewell

Timothy Wilcox,’ Visual thinking’, Apollo, January 2011

Adrian Searle, The Guardian, July 2010

‘Deanna Petherbridge on Paul Nash’s Wire (1918)’, Tate Etc, Issue 21, Spring 2011, p.55 Library Journal, Art & Humanities review September 2010

Nailing the Liminal: The Difficulties of Defining Drawing, in 'Writing on Drawing: Essays on Drawing Practice & Research', ed. S.W. Garner, Intellect Books, Bristol, pp. 265-285, ISBN 978-1-84150-200-7

In Touch & Out of Mind: The Psychodynamics of Obsessive Drawing, in 'Madness & Creativity', ed. Richard Pine, Cambridge Scholars Press, Cambridge UK, pp. 265-285, ISBN 1-84718-091-4

On the Moving Line & the Future Subjunctive of Drawing in a post-Duchampian Age, Special Issue, Futures 39, Guest editor Juliet Steyn, No. 10, December 2007, pp. 1191-1200    ISSN 0016-3287

Perspectives on Art, Drawings from the UBS Art Collection on display at Tate Modern, London. Article series, The Sunday Telegraph, 4th May – 11th November

Cloning & Conceptualising: The Duality of Mike Roles Figurative Sculpture,
in 'Mike Roles Welcome to the Third Millenium', Sue Atkinson, Catalogue, Broomhill Art, 2007 ISBN 0-9544910-0-9

Drawing as Subversive Practice,
in 'Drawing Board', conference proceedings, eds. John Plowman & Catherine Burge, pp. 6-18, The University of Lincoln, Lincoln, ISBN 1-86050-209-1

Drawing Inspiration, catalogue, Abbot Hall Art Gallery, Kendal (Lakeland Arts Trust)

Proceedings of the Bath Royal Literary & Scientific Institution, Volume 9   ISSN 1465-8496

So much for received notions about 'Sculptors Drawings', Sculpture Journal Vol. XIII 2005, pp. 115-131    ISSN 1366-2724

On Models & Mickey Mouse, The International Journal of Art & Design Education, Vol. 24 No. 2, May 2005, pp. 126-137    ISSN 1476-8070

Constructing the Language of Line, in 'John Flaxman 1755 - 1826: Master of the Purest Line', ed. David Bindman, exhibition catalogue, Sir John Soane's Museum & Strang Collection, University College, London, June 2003, pp. 6-13    ISBN 0 9542284 2 1

Two Cities: Two Modernities, catalogue, Monash University, Melbourne, October – November 2003    ISBN 0 975041 3 3

Reframing the Collection, introduction to 3rd edition of 'Catalogue of the Women's Art at New Hall', New Hall, Cambridge, UK    ISBN 0 9507108 4 9

Meditations on a Dirty Word, key-note address, ACUADS conference, Hobart, Australia

At the Boundary of Mind & Hand, Idea and Form, The Art Newspaper, No. 128 September 2002

Subverting the Silicon: A Critique of Drawing, in 'The Computer Age', UME magazine No.14, Australia 2002

Exhibitions, Legitimacy & Intellectual Ownership, The Producers: Contemporary Curators in Conversation, No. 11, eds. Susan Hiller & Sarah Martin BALTIC, Newcastle, UK   ISBN 0 7017 0118 8

Protocols of Drawing: Drawing with the Pencil through the Lens, in 'Drawing Across Boundaries', ed. Judith Mottram, Loughborough University, Loughborough, UK

Presenting the Past, in 'Drawing the Future', Symposium Proceedings, Department of Design, University of Huddersfield, UK

Corps a vif: Art et anatomie, eds. Deanna Petherbridge, Andrea Carlino, Claude Ritschardt, Musee d'Art et Histoire, Geneva, Switzerland 1998    ISBN 2 8306 0158 0

The Quick & the Dead: Artists & Anatomy, National Touring Exhibitions Hayward Gallery Publishing, 1997    ISBN 1 85332 172 9
University of California Press ISBN 0 5202 1738 1

The Primacy of Drawing: An Artist's View, A National Touring Exhibition from the South Bank Centre, Royal Festival Hall, London 1991    ISBN 1 85332 078 1