Deanna Petherbridge
| R E C E N T C O N F E R E N C E P A P E R S & P U B L I C L E C T U R E S L E C T U R E S & E V E N T S 2017 2016 Lecture, Drawing: meaning, process & critique, Jan Van Eyck Academy, Maastricht, The Netherlands. 5th November Plenary lecture, Images of Wicked Bodies: Witch stereotypes through the ages, Kenneth Clark Lecture Theatre, The Courtauld Institute of Art, London, Friday 31st July Keynote lecture in Misogyny: Witches & Wicked Bodies event with respondents Lynne Segal, Alexandra Kokolia & Katy Deepwell, chair Hilary Robinson, ICA London in association with School of Art and Design, Middlesex University, Wednesday 18th March Leonardo & Anatomy, Deanna Petherbridge in discussion with Francis Wells & Martin Clayton, The National Gallery, London, 20th January 2011 The Primacy of Drawing, Iwona Blazwick in conversation with Deanna Petherbridge’, Jerwood Drawing Prize, Jerwood Space, London, 13th September www.jerwoodvisualarts.org/page/3499/Jerwood+Drawing+Prize+2011 Rooted in the rhythmic: the graphic determinacy of Gainsboroughs 'dashing, strokey, scratchy, thunder & lightning manner', in Gainsborough Study Day, Holburne Museum, Bath, in association with the exhibition Gainsborough’s Landscapes: Themes & Variations, 14th November Graphic Intersections: Erga & Parerga, in 'At Cross Purposes? When Art History Meets Design History', conference organised by the Courtauld Institute in association with V&A/Royal College of Art. Kenneth Clark Lecture Theatre, The Courtauld Institute of Art, London, 22th October Idea, pragmatics & critique: drawing as empowering & interactive practice in 'Technologies of Drawing' conference organised by the University of Huddersfield association with Sculpture Network & the Yorkshire Sculpture Park. University of Huddersfield, 26th August Drawing: Discourse on Method, PARC NorthWest, Manchester Metropolitan University, Wednesday 13th April Revelation & Concealment: Pre-Raphaelite Drawing, keynote address, 'Drawing & the Victoria Artist', two day conference, Birmingham Museum & Art Gallery, 18th - 19th March The Primacy of Drawing, School of Art, The Australian National University, Canberra, Australia, Wednesday 10th March The Primacy of Drawing, National Gallery of Victoria International, Melbourne, Australia, Monday 7th March Gallery talk Freehand: Recent Australian Drawing exhibition, Heide Museum of Modern Art, Victoria, Saturday 5th March The Primacy of Drawing, The Art Gallery of New South Wales, Sydney, Austraia, 16th February 2010 Picasso to Julie Mehretu: modern drawings from the British Museum, Department of Prints & Drawings, The British Museum, 15th December Chaste Outlines: The Sources & Formal Implications of Flaxman's Drawing Style, University College London, London, 25th November The Primacy of Drawing, public lecture, The Prince's Drawing School, 29th September, Primacy of Drawing National Gallery, Edinburgh, 9th November The Display of Wit: the performative aspect of artists' caricature, Getty Research Institute (GRI) The Getty Center, Los Angeles, USA, 19th October Rembrandt & Robocop, Michelangelo & Mickey Mouse: the sources of contemporary drawing, Culver Center of the Arts, University of California Riverside (UCR), Riverside, USA, 20th October The Primacy of Drawing, The Arts Club of Chicago, USA, 13th October Colorado State University, Fort Collins, CO, Hatton Gallery, 6th October The Primacy of Drawing, The Prince's Drawing School, London, UK, 29th September The Primacy of Drawing, lecture & book launch, The National Gallery, London, Sainsbury Wing Theatre, 24th September Observation: Mapping: Dialogue, Drawing Research Network Conference, University of Brighton, 14th September Drawing, Embodiment & the Absent Body, (Mind, Spirit, Body, Matter Drawing Workshop), Kettle's Yard, Cambridge, 29th June The redundant rebus: reality checks on the functioning of the life class & Art Schools: Inventions, Invective & Radical Possibilities, Chadwick Lectrure Theatre, University College London, London, 11th & 12th June Charged lines & vernacular bodies: artists' caricature of the 16th – 18th centuries, The Friends of Prints & Drawing, The British Museum, 23rd March 2009 Connections, comparisons & degeneration of the 'primordial species': George Stubbs unfinished Comparative anatomical exposition of the structure of the human body with that of a tiger & a common fowl & its relation to the theories of Camper & Blumenbach, in 'Nomadic 09 Conference on Art & Science', University of Porto, Portugal, September Tyrannies of Narrativity: The Drawings of Charles Avery, in 'Session 7: Drawing in the Expanded Field', conveners A. Lovatt & E. Krcma, Intersections, Association of Art Historians Annual Conference 2009, 2th - 4th April 2008 Portraying the Ideal, the Precious & the Imaginary: Drawing as the Site of Homage, The National Gallery of Scotland, Edinburgh, 3rd December Drawing from the Norwich Collection, Norwich Castle Museum & Art Gallery, 25th January Deanna Petherbridge in conversation with Brian Sewell, PM Gallery & House, Ealing, London 18th January 2007 The Persistence of Drawing, in 'Diversity of Drawing' (organised by The Ruskin School of Drawing & Fine Art, University of Oxford & the National Gallery) The National Gallery, 17th October The National Gallery of Scotland, 3rd July 'George Stubbs', Yale Center for British Art, Yale University, New Haven, February & March ontemporary Drawing: Reinvigorating the Graphic Imperative, Museum of Fine Arts, Boston, USA, 12th March 2006 Dead Authors & Live Autographs: Problematising contemporary drawing, in 'Drawing Viewpoints Symposium', Gloucester University in association with Cheltenham Literary Festival, 12th October Graphic Subversions, keynote lecture, 'Drawing Board Conference', University of Lincoln, 7th - 8th July The Edinburg Collection, McNabb Memorial Lecture, Art Institute of Chicago Drawing the Future Conference, National Gallery of Art & The University of the Arts, London , March 22nd 2005 Stubb's anatomical studies, in 'Stubbs & the Horse' Study Day, The National Gallery, London, 10th September Contradictory Strategies, Drawing Quarters 2005, Bristol School of Art, Media & Design, 14th July Drawing with a Scalpel: George Stubb's Anatomical Studies of Horses, Wednesday evening public lecture, The National Gallery, London, 6th July Stubbs' Anatomical Drawings, Stubbs' Roundtable on the occasion of the opening of the exhibition 'Stubbs & the Horse', jointly presented by the Paul Mellon Centre for Studies in British Art & the National Gallery, 28th June Drawing as Subversive Practice, artist's talk (filmed) Camberwell Arts Festival, Camberwell College of Art, London, 23rd June In Touch & Out of Mind: The Psychodynamics of Obsessive Drawing, in 'Madness & Creativity International Conference', Durrell School of Corfu, Greece, 27th May Playing with the Provisional: The Importance of Sketching, in 'Drawing In-Drawing Out Symposium', The National University of Ireland, Galway, Ireland, 5th March 2004 The Rejection of Matter: Contemporary Drawings & Multi Practice, in 'Drawings by Sculptors from the Renaissance to Today', Conference, Cabinet des Estampes, Bibliotéque Royale de Belgique, Brussels, 3rd December The Primacy & Versatility of Drawing, Bath Royal Literary & Scientific Institution, Bath, 28th September On Models & Mickey Mouse, Power Drawing Workshop Conference, The Campaign for Drawing & National Society for Education of Art & Design, Bath School of Art & Design, Friday 10th September Drawing Now, Drawing Quarters, University of the West of England, Bower Ashton Campus, 16th July In Praise of Uninflected Line, Drawing Symposium, The Prince's Drawing School, London, 30th June Anatomy Lessons, The Old Operating Theatre, St. Thomas' London, 9th June Dürer's Drawings, conversation with Susan Foister, Dürer & the Virgin in the Garden, National Gallery, London, 30th March Signing & Signalling: Some Polemics around Sculptor's Drawings, Sculpture on Paper Symposium, Henry Moore Institute, Leeds, UK, March 2003 In Touch & Out of Mind, conference contribution, Drawing Connections II: Personal Practice, Cultural Context, College of Fine Arts, University of New South Wales, Sydney, Australia, 25th - 26th July Keynote, Meditations on a Dirty Word, Australian Council of University Art & Design Schools (ACUADS) Annual Conference, University of Tasmania, Hobart, Australia 1st - 4th October In Search of the Real & the Fantastical: Drawings from the Winthrop Collection Sainsbury Lecture Theatre, The National Gallery, London, 2nd July Battered Bodies: The Art & Anatomy of the Human Form, Strang Print Room, The College Art Collections, University College, London, 5th March The Demise of System, post-graduate seminar, University College, London, 30th January 2002 Figuring the Body: Some Trans-historical Notions about Figural Drawing, International Glass Workshop & Conference, Lybster, Caithness, Scotland 1st - 4th September 2001 Keynote address Making Connections: Generative Drawing, Found Imagery & Post-Modern Practice, in 'Drawing Connections: The Role of Drawing in Contemporary Art & Design', College of Fine Arts, UNSW, Sydney, Australia, 24th - 25th August Questioning the eternal values of the life class in an age of Relativism, in 'La place du dessin dans líenseignement artistique', conference, L'ecole cantonale d'art du Valais, Sierre, Switzerland, 23rd - 24th March Keynote lecture, Uneasy Practice in Contemporary Drawing, from the 'Doodle to the Digit' Conference organised by Wimbledon School of Art & Tate Britain, London 2nd March Gharats of the Western Himalayan Valleys, International Seminar on Traditional & Vernacular Architecture, Chennai & Hampi, India, 6th - 12th January 1999 Popular sculpture in South & South-East Asia, Khajuraho Millennium International Architects & Sculptors Workshop, Khajuraho, India, 10th -17th April 1998 Translations: Representation & Dimensionality, Models in the Sciences, Technology & Medicine: Displaying the Third Dimension, Wellcome Institute in association with the Science Museum, London, 13th - 14th November Protocols of Drawing: Drawing with the pencil through the lens, Drawing Across Boundaries Conference, Loughborough University, UK, 17th -18th September Presenting the Past, in 'The Future of Drawing in Fine Art & Architecture', University of Huddersfield, UK, 15th April 1997 Author & presenter of The Outline Around the Shadow, series of five radio programmes for BBC Radio 3: Thematising the Quick & the Dead, in 'Theorising the Anatomical Body', The Mead Gallery & Warwick Arts Centre, UK, 21st February The Gendered Ecorche: Constructing and Deconstructing the Body, in 'Art & Anatomy XVth - XXth Century', Centre de Pensieres, Annecy, France, 8th - 11th May 1996 The Problematic of Spontaneity, in 'The Back of the Envelope: First Thoughts in Design', Victoria & Albert Museum, London, January Subverting the Silicon, in 'The Challenge of Drawing Art & Design Conference' Suffolk College, UK, 26th April Keynote address Intersection A meeting of Art & Architecture, Royal Australian Institute of Architects National Convention, Adelaide, Australia, 14th - 15th March 1995 Delicious Deceptions: Artists & Anatomical Truths in Art, Anatomy & the Body. The Wellcome Institute for the History of Medicine, London, 8th December 'A View from the Studio, keynote speech, Dorset 1st Arts, conference, ' Foundations for the Future', Weymouth, Dorset, UK 18th March 1994 Questioning Kitaj in 'Kitaj Study Conference', Tate Gallery, London, 25th June The Making of The Primacy of Drawing, Museums Association Conference, Brighton, UK, 12th September Flanagans Hare in 'Post-War of Achievement: Architecture & Public Art in Britain since 1945', University of Newcastle-upon-Tyne, 28th March Drawing backwards into the Future: Formulating an Agenda, in 'The Role of Drawing in Fine Art Education', Wimbledon School of Art in association with the Tate Gallery, London Art & Spatial Politics, plenary session address 'Art & Industry', Association of Art Historians Annual Conference, Birmingham, UK |
