S E L E C T    B I B L I O G R A P H Y:   R E V I E W S    &    C I T A T I O N S



    Marina Warner, ‘Here be Monsters’, The New York Review of Books, 19 December, 2013

    Lyndsey Mackay, ‘Witches and Wicked Bodies’, Museums Journal, October 2013

    Rachel Spence, History’s bad girl,’ Financial Times, August 31/1 September 2013
    “Here’s one I dreamed up earlier…’ Laura Cumming, The Observer, Sunday 11 August 2013

    ‘Something wicked this way comes…’ Matthew Dennison, The Times, 3 August 2013

    ‘Riding with the Devil’, Viv Lawes, Country Life July 31, 2013

    ‘The erotic side of witchcraft’, Arifa Akbar, The Independent, 24th July 2013

    Timothy Wilcox ‘Visual thinking’. Review of The Primacy of Drawing, Apollo, January 2011

    John McDonald ‘Back to the drawing board’ Sydney Morning Herald 5-6 March 2011

    Lino Mannocci, Review of The Primacy of Drawing, Burlington Magazine,    No.1296, Vol.152, 1st March 2011

    Julian Bell, ‘Desire of the Line Review of The Primacy of Drawing’, The Times Literary Supplement, 14 January 2011

    Zoë Anderson, The Royal Ballet: 75 Years, Faber and Faber, London 2011

    Adrian Searle, ‘The thin grey line’ The Guardian, Tuesday 20 July 2010

    Brian Sewell, ‘A Curious Wellcome’ (The Quick and the Dead & later anatomical
    exhibitions )Evening Standard, 10 September 2007

    Andrew Mead, Critic’s Choice, Architectural Journal, February 2 2007

    John Spurling, Petherbridge: Alone with Soane, The Spectator, 27 January 2007

    Julia Stuart, ‘Quick on the draw’, The Independent Review, 26 May 2004

    Jim Buckell, ‘A suburban dreamland’ The Australian, 15 October 2003

    Brian Sewell ‘Art-breaker to swoon over’ Evening Standard, London, November 23, 1999 Doris Lockhart Saatchi, ‘Low Tech, laborious and ancient’  Independent on
    Sunday 8 October 2000

    Mel Gooding et al, Public: Art: Space, A Decade of Public Art Commissions Agency, 1987-1997, Merrell Holberton Publishers, London, 1998

    Mark Dery. ‘Gross Anatomy’  (review of the catalogue The Quick and the Dead)
    Village Voice, New York, December 1998

    Der Sezierstisch der Zeichner, Hans-Peter von Däniken, Tages Anzeiger, Zürich, 10 September 1998

    ‘Der Blick in den Abgrund’ Ursula Sinnreich, Neue Bürcher Zeitung, Zürich, 31 July 1998

    Laurence Chauvy ‘Lorsque l'anatomie devient un bel art et que les depouilles se transforment en anges’ (review of Corps a vif) Le Temps, Geneva, June 19, 1998
    Etienne Dumont ‘Le Musee d'art et d'histoire va donner sa lecon d'anatomie’ (review of Corps a vif ) Tribune de Geneve, Geneva, June 16, 1998

    Martin Ambush  ‘Anatomy der Beggared’ (review of Corps a vif ) Sudostschweiz Zeitung, June 27, 1998

    ‘The Quick and the Dead’ David Musgrave, Art Monthly, No.212, Winter 1997-8
    Jean-Jaques Lerrant  ‘Le corps anatomise et reinvente’ Le Monde, Paris, August 26, 1998Richard Cork ‘Visions that go more than skin deep’ The Times, November 11 1997

    ‘Hidden Dimesions’ Preview The Quick and the Dead, Martin Kemp, Tate Magazine, Winter, 1997

    Gabrielle Murphy ‘Dissecting room, Body and Soul: anatomy and art’.The Lancet
    Vol. 350, November 15, 1997

    Richard D. North ‘Taking a quick look at the dead Review of The Quick and the
    Dead’ The Independent, November 26, 1997

    Martin Postle ‘The Cutting Edge Review of The Quick and the Dead’ Academy Magazine, Autumn, 1997

    William Packer ‘Lessons from’ Life Review of The Quick and the Dead, Financial Times, November 8/9, 1997

    Tim Hilton ‘Hung, drawn and quartered  Review of The Quick and the Dead’
    Independent on Sunday, November 9, 1997

    Adrian Searle ‘Corporal Entertainment Review of The Quick and the Dead’ The Guardian, November 4, 1997

    Richard D. North ‘Taking a quick look at the dead’ The Independent, November
    26, 1997

    Brian Sewell, Review of The Quick and the Dead, Evening Standard, Thursday
    30 October 1997

    Sue Arnold ‘Review of The Outline around the Shadow Radio series’ The
    Observer, London, February 16, 1997

    Caro Howell, ‘Deanna Petherbridge’ in ed. Delia Gaze Dictionary of Women Artists, Fitzroy Dearborn Publishers, London and Chicago, 1997 Vol. I.
    Tom Lubbock, ‘As seen on Radio 3’, The Independent, 18th February 1997

    Design for Performance: From Diaghilev to the Pet Shop Boys, eds. Peter Docherty and Tim White, Lund Humphries Publishers in association with Central St Martins College of Art & Design, London 1996‘Collaborations: Review of Intersection Conference, Adelaide’, SA Crafts,

    Crafts Council of South Australia, Autumn Issue 2, 1996’Faces to Watch in the Art World. No10: Deanna Petherbridge’  Adrian Searle The Independent, July 1995

    ‘Deanna Petherbridge, Professor of Drawing at the Royal College of Art’ Architects Journal, Demetrios Matheou August 17, 1995

    ‘Mission to revive the art of drawing’ Lesley Garner The Daily Telegraph, November 18, 1995

    ‘The end of the Line’ Brian Sewell Art Review Vol. XLVII, November 1995

    ‘Architectural tropes: the drawings of Deanna Petherbridge’ in Monument No.
    12, Adelaide Festival Special, 1995

    Gigi Hu, ‘Deanna Petherbridge: Drawing Allusions’, Accent Magazine, Singapore,
    January 1995

    Anna Douglas: ‘Where do we draw the line?’  in ed. Katy Deepwell, New Feminist Art Criticism: Critical Strategies, Manchester University Press, Manchester & New York, 1995

    ‘Drawing the Line’, Bryan Robertson, The Spectator , November 11, 1994

    ‘Deanna Petherbridge’s complex art of structure’ Ooi Kok Chuen ,The New Sunday Times, Kuala Lumpur, January 15, 1995

    ‘Allusions, metaphors, puzzles in Petherbridge’s Drawings’, Susie Wong. The Straits Times, November 11, 1994

    ‘Pet Noires’, Susan Loppert ,Modern Painters, Vol. 5, No. 4, Winter 1992

    ‘Drawings, Dribblings and Marital Joys.  Review of The Primacy of Drawing’  John McEwen,The Sunday Telegraph , September 29 1991

    ‘Drawing up a New Artistic Agenda Review of The Primacy of Drawing’ Marina Vaizey, The Sunday Times, October 1991

    ‘Lines of Thought  Review of The Primacy of Drawing’ Andrew Graham-Dixon, The Independent,  October 1, 1991

    ‘A Free Hand’, Andrew Graham-Dixon The Independent Magazine , November
    2, 1991

    ‘The Draughtsman’s Concept’, Patricia Morison The Financial Times, December
    13, 1991

    ‘Moral rights: a Case Study’ Nicola Solomon & David Mitchell  New Law Journal, December 6, 1991‘Writing on the Wall for Artists: Public art politics’ Paul Cheeseright The Financial Times, December 29 1991

    Peter Dormer, ‘Blood Sweat and Cheers: Bloodlines, a New Work for the Royal Ballet’, AJ Review, Architects Journal, 12 December 1990

    ‘Censored’ Christian Tyler Observer column, Financial Times, Friday August 10, 1990

    ‘Subtle Menace: New Drawings by Deanna Petherbridge’ Christopher Woodward Architects Journal, February 14, 1990

    ‘Deanna Petherbridge An Austere Mix of Cultures’ interview with Sajid Rizvi, Eastern Art Report, February 1990Sarah Kent ‘On Deanna Petherbridge’ Time Out, 31 January – 7 February, 1990
    ‘Deanna Petherbridge’ Exhibition review, Margaret Garlake Art Monthly, February 1990

    ‘A journey through sinister spaces’, William Packer, Financial Times, Saturday January 20, 1990

    ‘Talking Art: Charlotte Du Cann on Artist Deanna Petherbridge’ The Guardian,January 17, 1990

    ‘Malcolm Reading reports on symposium ‘Where is Architecture Going? ‘”Building
    Design, May 19th, 1989

    Bryan Robertson, ‘The Painter as Designer’ in British Theatre Design: The Modern Age, ed. John Goodwin, Weidenfeld & Nicholson, 1989

    ‘Cities beautiful’ Antony Thornycroft on ‘Percent for Art’ Financial Times Saturday 19 November 1988

    ‘Deanna Petherbridge: Graphic Artist of the Built World’ Jenny Towndrow, Design World Australia no.15, 1988

    ‘A Passage to India: On Deanna Petherbridge’ Financial Express, New Delhi, January 24, 1988

    ‘Temples through British Eyes’, Times of India, New Delhi, December 13, 1987

    ‘The Romantic and the Sinister’, Kamala Kapoor, The Sunday Observer, New Delhi, December 13, 1987‘Implicit Metaphors’, Amrita Bazar Patrika, Calcutta, November 12, 1987

    ‘The Petherbridge Effect’, Geeta Doctor, Indian Express, Madras, October 10, 1987

    Colin Amery, ‘Removing the mystique of commissioning’ Review of Art for Architecture, Financial Times Monday September 21 1987

    ‘Petherbridge’, Margaret Garlake, Art Monthly, No.107, June 15 1987

    John Spurling, ‘Temples and Tenements: The Indian Drawings of Deanna Petherbridge’,
    The New Statesman, May 8, 1987

    ‘An artist who understand how light makes space’, Colin Amery, Financial Times April 27, 1987

    ‘Which Side of the Fence, PWM review’ Monica Petzal, Time Out, 4-11 February 1987

    ‘Allegri Diversi & One by Nine, Sadler’s Wells’, Clement Crisp, The Financial Times, 16
    January 1987

    Philip Rawson, Design, Prentice-Hall Inc,Englewood Cliffs, New Jersey, 1987/8, p. 184
    New ballets by David Bintley and Jennifer Jackson’ Jann Parry, The Observer 18
    January 1987

    ‘Architecture of an Artist,’ Barnali Mitra-Ray, The Telegraph, India, January 5 1986
    ‘An affair with temples’ Samir Datta, The Statesman (Calcutta), February 16, 1986
    ‘Contradictions’, The Hindu, February 28 1986

    ‘Metaphors of the Inner Self,’ Geeta Doctor,The Indian Express, (Madras) 5 January 1986

    Tim Ostler, ‘A Matter of Taste’ (Review of One Percent) Building Design
    December 6, 1985

    Nadine Meisner, ‘Taking a Risk’ Dance and Dancers, September 1984
    Peter Dormer, ‘Looking Between the Lines’ (review of Broken Set of Rules) Designer’s Journal, January 1985

    Geometry of Rage’ by Michael Archer, Art Monthly No 82, December/January
    1984/5

    ‘Orwellian Interpreters’ Jasia Reichardt, Building Design, February 24, 1984

    ‘Band-Aids for all ills’ Waldemar Januszczak reviews Art Within Reach,
    The Guardian, Tuesday August 7, 1984

    ‘Scene-stealer’ Astragal, Architects Journal 22 & 29 August 1984

    ‘Rebels’ Stephanie Jordan, New Statesman, 10 August 1984

    ‘Talent in the ranks’ Peter Williams, The Observer, 5 August 1984

    ‘Deanna Petherbridge’, John McEwen, Art Monthly, No.64, March 1983 
    John McEwen, ‘Fünf englische Outsider’ Das Kunstwerk, Vol 2 XXXV, April 1982
    A Broken Set of Rules’ John Percival, The Times August 3 1984

    ‘Scrambling the landmarks’ William Feaver, Observer Review, Sunday 6 February 1983

    ‘Obsessive and sinister perspectives, John Russell Taylor, The Times February 1, 1983
    ‘Eye for Detail’, Michael Shepherd, The Sunday Telegraph, January 30, 1983
    John McEwen, The Spectator, February 5, 1983

    ‘Drawings which take over the eye’, Philip Radcliffe, The Artful Reporter,
    Manchester, Issue No.53, November 1982

    ‘Deanna Petherbridge’ Irene McManus, The Guardian, November 24, 1982

    ‘Art rediscovers architecture’, Deyan Sudjic, Building Design, January 8, 1982

    Nicholas Orsini, The Language of Drawing Doubleday & Co., New York 1982
    ‘Hope from the Hayward’ Peter Davey, The Architects’ Journal, 30 August 1978
    ‘Putting the Hayward Annual Two together’, Juliet Steyn & Deborah Cherry, Art
    Monthly No.19, 1978

    ‘Deanna Petherbridge at Gallery K’, Jo Ann Lewis, The Washington Post,
    Saturday 19 November 1977

    ‘Mathematical sensibility’ Architectural Design, 4 April, 1973
    ‘Petherbridge at the Whitechapel’, John Gainsborough, Arts Review, Vol.XXVII
    No.20, 1975

    ‘Deanna Petherbridge at Angela Flowers’, Robert Weale, New Scientist, 12
    April, 1973