Deanna Petherbridge

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Museum & Public Collections

Click institution to view works held, or browse the full list below.

Ashmolean Museum, Oxford

Arts Council Collection, United Kingdom

Arup Collection, London

BAT – The Foundation for Essex Arts, Basildon, Essex

Birmingham City Art Gallery, Birmingham

Bristol City Art Gallery & Museum, Bristol

British Council Collection, United Kingdom

British Museum, London

Calouste Gulbenkian Foundation, Lisbon

The Courtauld Gallery, London

Fitzwilliam Museum, Cambridge

Getty Research Institute, Los Angeles

Government Art Collection, United Kingdom

Graves Art Gallery, Sheffield

Harris Museum & Art Gallery, Preston

The Hunterian Museum & Art Gallery, Glasgow

Imperial War Museum, London

London Transport Museum, London

Manchester Art Gallery, Manchester

Reading University, Reading

Robert McLaughlin Gallery, Oshawa, Ontario

The Stanley & Audrey Burton Gallery, Leeds University, Leeds

Tate Gallery, London

Victoria & Albert Museum, London

Warburg Institute, London

Wellcome Collection, London

Whitworth Art Gallery, Manchester

University of the Witwatersrand, Johannesburg

Yale Center for British Art, New Haven, Connecticut

Ashmolean Museum, Oxford

Parable of the Black Earth – Cucurbitae Series 1972
Ink on Paper
50 x 50cm
Ashmolean Museum, Dept of Western Art
South Goa: Coconut Frond Capriccio
2017
Ink on Paper
29.7 x 42cm
Ashmolean Museum, Dept of Western Art

Arts Council Collection, United Kingdom

Cage Trap
1982
Pen & Ink on Paper
151 x 119.8cm
Arts Council Collection
Baoli II
1980
Pen & Ink on Paper
69.7 x 49.6cm
Arts Council Collection

Arup Collection, London

Scenes from a Southern Siberia
1985
Sepia Ink on Cream Paper
Arup Collection

BAT – The Foundation for Essex Arts, Basildon, Essex

Islamic Series 76
1976
Pen & Ink on Paper
69 x 49.5cm
BAT, The Foundation for Essex Arts

Birmingham City Art Gallery, Birmingham

Design for Symphony Hall Mural, International Convention Centre, Architectural Fantasy (Capriccio)
1991
Pen & Ink on Seven Sheets of Joined Paper
1.175 x 1.967mm
Birmingham City Art Gallery, City of Birmingham Coll.

Bristol City Art Gallery & Museum, Bristol

Theatre of War
1982
Pen & Ink on Paper
152 x 121cm
Bristol City Art Gallery & Museum

British Council Collection, United Kingdom

Resurrected Barry
1982
Pen & Ink on Paper
39 x 49.5cm
British Council Collection

British Museum, London

Meditations in Melburbia, (Two Cities, Two Modernities)
2003
Pen & Ink Wash on Paper
67 x 101cm
British Museum, Dept of Prints & Drawings
Becoming Enchanted on a Seeing the Graceful Postures of Women (Temples & Tenements) 1986
Pen & Dark Brown Wash on Paper
95.7 x 67cm
British Museum, Dept of Prints & Drawings
Ribbon City (City Series)
1976
Pen & Ink on Paper
70 x 50cm
British Museum, Dept of Prints & Drawings
In Media Res: The Turbine Hall No.2
1996
Ink Pen & Wash
152 x 101cm
British Museum, Dept of Prints & Drawings
Fragility of the Concept (First Indian Series)
1980
99.6 x 70cm
British Museum, Dept of Prints & Drawings
Fourteen Stations of the Tiber II
2011
Ink Pen & Wash on Paper
British Museum, Dept of Prints & Drawings

Calouste Gulbenkian Foundation, Lisbon

Threshold (Temples & Tenement)
1986
152 x 103cm
Calouste Gulbenkian Foundation

The Courtauld Gallery, London

Bamboo Ionic (Goa)
2014
Pen, Ink & Wash on Paper
The Courthauld Gallery
Mary Mandala
1973
Pen & Ink on Paper
50 x 50cm
The Courthauld Gallery

Fitzwilliam Museum, Cambridge

Cave City (First Indian Series)
1980
Pen & Ink on Paper
50 x 70cm
Fitzwilliam Museum

Getty Research Institute, Los Angeles

Mirage City
2002
Pen, Ink & Wash on Paper
104.5 x 74cm
Getty Research Institute, John Paul Getty Museum

Government Art Collection, United Kingdom

Study for 1984, No.1
1983
Sepia Ink on Cream Paper 7
9.3 x 58cm
Government Art Collection

Graves Art Gallery, Sheffield

The Penultimate Pillar (Temples & Tenements)
Graves Art Gallery, Sheffield

Harris Museum & Art Gallery, Preston

Preston Design for A Broken Set of Rules
1984
112 x 168cm
Harris Museum & Art Gallery
Preston Preliminary Study for A Broken Set of Rules
1984
90 x 122cm
Harris Museum & Art Gallery

The Hunterian Museum & Art Gallery, Glasgow

Capriccio Obscuro
1984
Ink & Wash on Paper
152 x 103cm
The Hunterian Museum & Art Gallery

Imperial War Museum, London

London Debris of War
1984
Pen, Ink & Wash on Paper
143.2 x 112cm (Mount Size 152.7 x 122.2cm) Imperial War Museum
Boeing Assembly Plant, Seattle
1989
Pen, Ink & Wash on Paper
149.2 x 108.7cm (Frame Size 161 x 120 x 4.5cm)
Imperial War Museum

London Transport Museum, London

Tubular Design for Holborn Station
1980
Black Line Drawing Transferred to Melamine
120 x 79.3cm
London Transport Museum
Tubular Design for Holborn Station
1980
Black Line Drawing Transferred to Melamine
120 x 79.3cm
London Transport Museum

Manchester Art Gallery, Manchester

The Concrete Armada 1978 Ink on Panel Five Panels 143 x 100cm each (143 x 500cm) Manchester Art Gallery

Reading University, Reading

Visit of Apelles to the Studio of Campaspe I
1993
Pen, Ink & Wash on Paper
75.6 x 56.2cm
Reading University
Visit of Apelles to the Studio of Campaspe II
1993
Pen, Coloured Ink & Wash on Paper
75.8 x 56.2cm
Reading University
The Cellar and the Attic
1989
Ink on Paper
150 x 110cm
Reading University
Echoes of the Deep
1987 – 94
Ink on Paper
Reading University

Utopia Contemporanea? (diptych)
2019
Ink on Arches Paper
75 x 210cm
Reading University
Shafted (diptych)
2021
Ink on Arches Paper
105 x 150cm
Reading University
Tyne – Scarp No: 68
1980
Pen & Ink on Paper
29.8 x 42cm
Reading University
Urbanisation of the Dead
1984
Pen & Ink & Wash on Paper
113 x 73cm
Reading University
Untitled & Unfinished
c.1987
Pen & Ink & Wash on Paper
50.5 x 63cm
Reading University

Robert McLaughlin Gallery, Oshawa, Ontario

Ottoman Series III
1974
Pen & Ink on Paper
50.2 x 50cm
Robert McLaughlin Gallery

The Stanley & Audrey Burton Gallery, Leeds University, Leeds

The Fourteen Stations of the Tiber 1
2011
Pen, Ink & Wash on Paper
36 x 47cm
53.7 x 64.5cm Wood/Window Mount
Leeds University
Capriccio Obscuro
Pen, Coloured Ink & Wash on Paper
77.5 x 56.5cm
Frame: 96.7 x75.5cm
Leeds University
Drowning in the Trenches 2013 Ink on Paper 76.4 x 56.6cm 95 x 75.5cm Leeds University
Untitled Bosnian War
1994
Pen, Coloured Ink & Wash on Paper
75.5 x 56.5cm
Leeds University
Landscapes of Desire
1989
Ink on Paper
150 x 107cm
Leeds University
Museum Madness (Puerto Rico)
2013
Ink on Paper
64.5 x 102.5cm
Leeds University
Blood Crossings (triptych)
2018
Ink & Gouache on Arches Paper
75 x 315cm Leeds University
Migration I (diptych)
2018
Ink & Watercolour on Arches Paper
105 x 150cm
Leeds University
The Wall (diptych)
2018-19
Ink on Arches Paper
105 x 150cm
Leeds University
Incidents in a Traumatised Landscape (diptych) 2021
Ink on Arches Paper
105 x 150cm
Leeds University
The View from Hotel Pandemia (diptych)
2020
Ink on Arches Paper
105 x 150cm
Leeds University
Transparency and Lies (diptych)
2020
Ink on Arches Paper
105 x 150cm
Leeds University
Untitled (Tile Massacre, Bosnian War)
1993-94
Coloured Ink on Paper
64.5 x 102cm
Leeds University

Study for ‘Blood Crossings’
2018-19
Ink & Liquid Gouache on Paper
85 x 105.5cm
Leeds University
Prelim Drawing related to Transparency & Lies
2020
Ink & Wash on Paper
51 x 36cm
Leeds University
Study; High Covid, Constraint, Contagion
2020
Ink & Wash on Paper
36 x 51cm
Leeds University
Sketch related The View from Hotel Pandemia
2021
Ink & Wash on Paper
29 x 42cm
Leeds University
The Destruction of the City of Homs
2016
Ink on Paper
Triptych 106 x 228cm
Tate Gallery

Victoria & Albert Museum, London

Maybe Icon of the Deposition
1984
Pen, Ink & Wash on Cream Paper
51.4 x 73cm
Victoria & Albert Museum
In the Forest of Lost Hopes
2006
Ink and Watercolour on Paper
14.6 x 21.5cm
Victoria & Albert Museum
Floorcloth Design for Bloodlines
Victoria & Albert Museum (The Theatre Museum)
Preliminary Drawing
1987
Gouache & Ink on Card
13.2 x 29.2cm
Designs for the set of ‘One by Nine’ Ballet, Sadler’s Wells Royal Ballet
Victoria & Albert Museum
Preliminary Drawing 2
1987
Gouache & Ink on Card
29.3 x 61cm
Designs for the set of ‘One by Nine’ Ballet, Sadler’s Wells Royal Ballet
Victoria & Albert Museum
Sketch for ‘One by Nine’ Ballet
1987
Pen & Ink & Coloured Wash on Paper
21 x 14.5cm
Victoria & Albert Museum
Sketch for ‘One by Nine’ Ballet
1987
Pen & Ink & Coloured Wash on Paper
21 x 14.5cm
Victoria & Albert Museum
Sketch for ‘One by Nine’ Ballet
1987
Pen & Ink & Coloured Wash on Paper
21 x 14.5cm
Victoria & Albert Museum
Costume Study for ‘One by Nine’ Ballet
1987
Pen & Ink & Coloured Wash on Paper
25.4 x 35.4cm
Victoria & Albert Museum
Costume Study for ‘One by Nine’ Ballet
1987
Pen & Ink & Coloured Wash on Paper
25.4 x 35.4cm
Victoria & Albert Museum
Costume Study for ‘One by Nine’ Ballet
1987
Pen & Ink & Coloured Wash on Paper
25.4 x 35.4cm
Victoria & Albert Museum
Sketch for Floor Pattern (Front Gauze)
1990
Gouache & Ink on Paper
56 x 74cm
Victoria & Albert Museum
Early Sketch, Italian Warehouses/Factories
1990
Gouache & Ink on Paper
45 x 74cm
Victoria & Albert Museum

Warburg Institute, London

The Destruction of Palmyra
2017
Ink & Wash on Paper
Each Panel 144.5 x 122cm
Warburg Institute

Wellcome Collection, London

Camp Covid (diptych)
2020
Ink on Arches Paper
105 x 150cm
Wellcome Collection
High Covid: Constraint, Contagion and Pollution (diptych)
2021
Ink on Arches Paper
105 x 150cm
Wellcome Collection

Whitworth Art Gallery, Manchester

Continuum City
1978
Pen & Ink on Paper
50 x 70cm
Whitworth Art Gallery, University of Manchester
Manchester Suite Drawings, Refuge Building
1982
Brown Ink & Wash on Cream Paper
80 x 58.5cm
Whitworth Art Gallery, University of Manchester
Manchester Suite Drawings, Scaffolding Cathedral
1982
Brown Ink & Wash on Cream Paper
80 x 58.5cm
Whitworth Art Gallery, University of Manchester
Manchester Suite Drawings, Scaffolding Cathedral
1982
Brown Ink & Wash on Cream Paper
80 x 58.5cm
Whitworth Art Gallery, University of Manchester
Parable of Exit and Entry
1988
97 x 141cm
Whitworth Art Gallery, University of Manchester

University of the Witwatersrand, Johannesburg

Untitled
1992-4
Ink, Charcoal & Wash on Paper
56 x 77.5cm
Wit’s University
Untitled
c. 1993
Coloured Ink & Wash on Paper
40.5 x 30.4cm
Wit’s University

Yale Center for British Art, New Haven, Connecticut

Uroboros (Commissioned for Heads & Tails, Newcastle Upon Tyne University 1980-81
1981
48 x 48cm
Yale Centre for British Art, Yale University
Enfolding Gateways (previously titled Arch Tondo II)
1982
Pen & Ink on Paper
50 x 50cm
Yale Centre for British Art, Yale University